Shakespeare's Monologues
Hamlet- The prince of Denmark. The son of Queen Gertrude and the dead King Hamlet. Nephew of the current King Claudius. Hamlet believes there was some foul play in his father’s death and believes his uncle is involved.
Horatio- A good friend to Hamlet. He assists Hamlet throughout the play and is his most trusted ally.
Claudius- The current king of Denmark. Very methodical and ambitious. Shows occasional guilt and genuine human emotion.
A Castle hall that has been transformed into a performance space. Hamlet is talking to the actors and getting ready for the show. Hamlet pulls Horatio aside and asks him to watch the king during the show to see if he shows any signs of guilt for killing Hamlet’s father. The show begins and one of the scenes closely resembles the circumstances that the ghost of Hamlet’s father told him. Hamlet and Horatio watch Claudius during the show and to their pleasure the see a twinge of guilt on his face. Hamlet becomes excited and begins to plan his next move.
Character description, monologue synopsis, and monologue scoring provided by Ryan Pacheco as part of the Spring 2019 THT 352 class.
Hamlet:
Nay, do not think I flatter;
For what advancement may I hope from thee
That no revenue hast but thy good spirits,
To feed and clothe thee? Why should the poor be flatter'd?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath seal'd thee for herself; for thou hast been
As one, in suffering all, that suffers nothing,
A man that fortune's buffets and rewards
Hast ta'en with equal thanks: and blest are those
Whose blood and judgment are so well commingled,
That they are not a pipe for fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee.--Something too much of this.--
There is a play to-night before the king;
One scene of it comes near the circumstance
Which I have told thee of my father's death:
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe mine uncle: if his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note;
For I mine eyes will rivet to his face,
And after we will both our judgments join
In censure of his seeming.
Number of Syllables | Scored text | Meaning of beat |
---|---|---|
7 | Nay, do not think I flatter; |
[Start of beat one] to convince |
10 |
For what advancement may I hope from thee | |
10 | That no revenue hast but thy good spirits, | |
12 | To feed and clothe thee? Why should the poor be flatter'd? | [End of beat one] |
10 | No, let the candied tongue lick absurd pomp, |
[Start of beat 2] To explain |
10 | And crook the pregnant hinges of the knee | |
10 | Where thrift may follow fawning. Dost thou hear? | [End of beat 2] |
10 | Since my dear soul was mistress of her choice |
[Start of beat three] To flatter |
11 | And could of men distinguish, her election | |
10 | Hath seal'd thee for herself; for thou hast been | |
11 | As one, in suffering all, that suffers nothing, | |
10 | A man that fortune's buffets and rewards | |
10 | Hast ta'en with equal thanks: and blest are those | |
11 | Whose blood and judgment are so well commingled, | |
11 | That they are not a pipe for fortune's finger | |
10 | To sound what stop she please. Give me that man | |
11 | That is not passion's slave, and I will wear him | |
10 | In my heart's core, ay, in my heart of hearts, | |
10 | As I do thee.--Something too much of this.-- | [End of beat three] |
10 | There is a play to-night before the king; | [Start of beat four] To explain |
10 | One scene of it comes near the circumstance | |
10 | Which I have told thee of my father's death: | [End of beat four] |
10 | I prithee, when thou seest that act afoot, | [Start of beat five] to beg |
11 | Even with the very comment of thy soul | |
11 | Observe mine uncle: if his occulted guilt | |
10 | Do not itself unkennel in one speech, | |
9 | It is a damned ghost that we have seen, | |
10 | And my imaginations are as foul | |
10 | As Vulcan's stithy. Give him heedful note; | |
10 | For I mine eyes will rivet to his face, | |
10 | And after we will both our judgments join | |
7 | In censure of his seeming. | [End of beat five] |
Definitions from David & Ben Crystal / Shakespeare's Words are under copyright, and may not be used without their express permission. All other definitions are from sources in the public domain.
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