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Shakespeare's Monologues

Hamlet

Hamlet: Act 3, Scene 2

Monologue

Hamlet:

Nay, do not think I flatter;

For what advancement may I hope from thee

That no revenue hast but thy good spirits,

To feed and clothe thee? Why should the poor be flatter'd?

No, let the candied tongue lick absurd pomp,

And crook the pregnant hinges of the knee

Where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice

And could of men distinguish, her election

Hath seal'd thee for herself; for thou hast been

As one, in suffering all, that suffers nothing,

A man that fortune's buffets and rewards

Hast ta'en with equal thanks: and blest are those

Whose blood and judgment are so well commingled,

That they are not a pipe for fortune's finger

To sound what stop she please. Give me that man

That is not passion's slave, and I will wear him

In my heart's core, ay, in my heart of heart,

As I do thee.--Something too much of this.--

There is a play to-night before the king;

One scene of it comes near the circumstance

Which I have told thee of my father's death:

I prithee, when thou seest that act afoot,

Even with the very comment of thy soul

Observe mine uncle: if his occulted guilt

Do not itself unkennel in one speech,

It is a damned ghost that we have seen,

And my imaginations are as foul

As Vulcan's stithy. Give him heedful note;

For I mine eyes will rivet to his face,

And after we will both our judgments join

In censure of his seeming.

Scored Monologue

Number of Syllables Scored text Meaning of beat
7 Nay, do not think I flatter;

[Start of beat one] to convince

10

For what advancement may I hope from thee  
10 That no revenue hast but thy good spirits,  
12 To feed and clothe thee? Why should the poor be flatter'd? [End of beat one]
10 No, let the candied tongue lick absurd pomp,

[Start of beat 2] To explain

10 And crook the pregnant hinges of the knee  
10 Where thrift may follow fawning. Dost thou hear? [End of beat 2]
10 Since my dear soul was mistress of her choice

[Start of beat three] To flatter

11 And could of men distinguish, her election  
10 Hath seal'd thee for herself; for thou hast been  
11 As one, in suffering all, that suffers nothing,  
10 A man that fortune's buffets and rewards  
10 Hast ta'en with equal thanks: and blest are those  
11 Whose blood and judgment are so well commingled,  
11 That they are not a pipe for fortune's finger  
10 To sound what stop she please. Give me that man  
11 That is not passion's slave, and I will wear him  
10 In my heart's core, ay, in my heart of hearts,  
10 As I do thee.--Something too much of this.-- [End of beat three]
10 There is a play to-night before the king; [Start of beat four] To explain
10 One scene of it comes near the circumstance  
10 Which I have told thee of my father's death: [End of beat four]
10 I prithee, when thou seest that act afoot, [Start of beat five] to beg
11 Even with the very comment of thy soul  
11 Observe mine uncle: if his occulted guilt  
10 Do not itself unkennel in one speech,  
9 It is a damned ghost that we have seen,  
10 And my imaginations are as foul  
10 As Vulcan's stithy. Give him heedful note;  
10 For I mine eyes will rivet to his face,  
10 And after we will both our judgments join  
7 In censure of his seeming. [End of beat five]

 

Definitions from David & Ben Crystal / Shakespeare's Words are under copyright, and may not be used without their express permission. All other definitions are from sources in the public domain.
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