Shakespeare's Monologues
Oliver- Oliver is the eldest son of Sir Rowland de Bois. He is a hateful person who dislikes his younger brother Orlando for no reason. Orlando eventually saves Oliver's life which makes Oliver want to become a more loving person.
Oliver is telling Ganymede (who is actually Rosalind in disguise) and Celia how his brother saved his life.
Character description, monologue synopsis, and monologue scoring provided by Ryan Pacheco as part of the Spring 2019 THT 352 class.
When last the young Orlando parted from you
He left a promise to return again
Within an hour, and pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss'd with age
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreathed itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man
And found it was his brother, his elder brother.
Syllables | Scored Text | Meaning of Beat |
---|---|---|
11 | When last the young Orlando parted from you, | Beginning of beat 1 (to explain) |
10 | He left a promise to return again | |
12 | Within an hour; and, pacing through the forest, | |
11 | Chewing the food of sweet and bitter fancy, | |
10 | Lo, what befell! He threw his eye aside, | |
10 | And mark what object did present itself. | End of Beat 1 |
10 | Under an oak, whose boughs were moss'd with age, | Start of Beat 2 (To illistrate) |
10 | And high top bald with dry antiquity, | |
10 | A wretched ragged man, o'ergrown with hair, | |
10 | Lay sleeping on his back. About his neck | |
10 | A green and gilded snake had wreath'd itself, | |
10 | Who with her head nimble in threats approach'd | |
10 | The opening of his mouth; but suddenly, | |
10 | Seeing Orlando, it unlink'd itself, | |
10 | And with indented glides did slip away | |
10 | Into a bush; under which bush's shade | |
10 | A lioness, with udders all drawn dry, | |
10 | Lay couching, head on ground, with catlike watch, | |
10 | When that the sleeping man should stir; for 'tis | |
10 | The royal disposition of that beast | |
10 | To prey on nothing that doth seem as dead. | |
10 | This seen, Orlando did approach the man, | |
12 | And found it was his brother, his elder brother. | End of Beat 2 |
Definitions from David & Ben Crystal / Shakespeare's Words are under copyright, and may not be used without their express permission. All other definitions are from sources in the public domain.
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