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Shakespeare's Monologues

Oliver

As You Like it. Act 4, Scene 3

Monologue

When last the young Orlando parted from you
He left a promise to return again
Within an hour, and pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss'd with age
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreathed itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man
And found it was his brother, his elder brother.

Scored Monologue

Syllables Scored Text Meaning of Beat
11 When last the young Orlando parted from you, Beginning of beat 1 (to explain)
10 He left a promise to return again   
12 Within an hour; and, pacing through the forest,  
11 Chewing the food of sweet and bitter fancy,  
10 Lo, what befell! He threw his eye aside  
10 And mark what object did present itself. End of Beat 1
10 Under an oak, whose boughs were moss'd with age Start of Beat 2 (To illistrate)
10 And high top bald with dry antiquity  
10 A wretched ragged man, o'ergrown with hair,   
10 Lay sleeping on his back. About his neck  
10 A green and gilded snake had wreath'd itself,  
10 Who with her head nimble in threats approach'd  
10 The opening of his mouth; but suddenly,   
10 Seeing Orlando, it unlink'd itself,   
10 And with indented glides did slip away  
10 Into a bush; under which bush's shade  
10 A lioness, with udders all drawn dry,  
10 Lay couching, head on ground, with catlike watch,  
10 When that the sleeping man should stir; for 'tis   
10 The royal disposition of that beast   
10 To prey on nothing that doth seem as dead.  
10 This seen, Orlando did approach the man  
12 And found it was his brother, his elder brother. End of Beat 2

 

Definitions from David & Ben Crystal / Shakespeare's Words are under copyright, and may not be used without their express permission. All other definitions are from sources in the public domain.
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